#so i never really forget about that issue

[katherinakaina]

I keep seeing once in a while people pondering on an apparent contradiction in Daniil’s character – he is said to be a rationalist but he is evidently extremely emotional. Those things do not go together, right? People notice their confusion. They find all sorts of interesting explanations. From him being manipulative and performative, using his displays of emotion like tools to control people. To him not being rational at all actually, him lying to himself and others, not even knowing who he is, pretending and failing.

Every time I get over it and completely forget and then another one of these hits me in the face. What I forget is that in common understanding rationality is opposed to being emotional. While in the community it is a basic level understanding that there are rational emotions and irrational ones. The same way there are rational beliefs and irrational beliefs (which is to say true and false basically).

From here:

A popular belief about “rationality” is that rationality opposes all emotion—that all our sadness and all our joy are automatically anti-logical by virtue of being feelings. …

For my part, I label an emotion as “not rational” if it rests on mistaken beliefs, or rather, on mistake-producing epistemic conduct. “If the iron approaches your face, and you believe it is hot, and it is cool, the Way opposes your fear. If the iron approaches your face, and you believe it is cool, and it is hot, the Way opposes your calm.” Conversely, an emotion that is evoked by correct beliefs or truth-conducive thinking is a “rational emotion”; and this has the advantage of letting us regard calm as an emotional state, rather than a privileged default. …

Becoming more rational—arriving at better estimates of how-the-world-is—can diminish feelings or intensify them. Sometimes we run away from strong feelings by denying the facts, by flinching away from the view of the world that gave rise to the powerful emotion. If so, then as you study the skills of rationality and train yourself not to deny facts, your feelings will become stronger. …

I visualize the past and future of humankind, the tens of billions of deaths over our history, the misery and fear, the search for answers, the trembling hands reaching upward out of so much blood, what we could become someday when we make the stars our cities, all that darkness and all that light—I know that I can never truly understand it, and I haven’t the words to say. Despite all my philosophy I am still embarrassed to confess strong emotions, and you’re probably uncomfortable hearing them. But I know, now, that it is rational to feel.

Daniil probably suppresses some of his emotions to be taken seriously. But this is masking. And he is bad at it. He has strong emotions and strong convictions and they spill out of him regardless. He also values truth and honesty and that’s another reason why he can’t fully suppress his authenticity.

But all of it is about how to behave in polite society. How not to freak out neurotypicals. It has nothing to do with his thinking process, his beliefs and his goals. His rationality.

Now you can argue that his sincerity and his openness are irrational instrumentally, which is to say they lead to his downfall. He should have masked better and become more cynical if he wanted to succeed. Maybe? But that would also have its downsides, I’m pretty sure. (we’ll see what apathy meter does to his decision making soon enough)

Anyway, that is not the point I see people make. And I just really want people to stop making it. Strong emotions, strong ideals, passionate belief in a better future for humanity – those are all perfectly rational if they align with truth. And he does fail as a rationalist quite a lot as well, but this is purely an epistemological issue that has nothing to do with him being emotional.

[all-pacas]

i know i've talked about it before but god. when house and chase are alone together their vibe is just.

chase is usually deeply and pretty happily subservient to house. he's the boss/mentor, chase is the underling. where cameron and foreman both push to be house's equal, chase really never does: he's happy to follow along. but then you get them alone. every now and then chase just strolls in and reveals he can see through house perfectly, and house … never really gets offended or annoyed by this. he's pretty indulgent. he even enjoys it. "sometimes i forget why i hired you," he says, pleased.

in the jerk chase calls him out for cancelling foreman's interview. unlike when foreman did the same, house admits it, clearly pleased to be caught. chase offers him advice:

CHASE: You cost him a good opportunity and gained nothing. HOUSE: I cost him a crappy opportunity. New York Mercy's where you go to treat boils and cysts and build a 401K. CHASE: If you want him to stay, tell him. HOUSE: I don't and there'd be no point. CHASE: You do. And the point would be to make him feel like he's wanted. HOUSE: He doesn't need that. CHASE: All right, then. It'd make him feel like maybe you weren't evil. He needs that. Talk to Foreman.

he gives him orders. and house doesn't push back, doesn't dismiss chase for trying to lecture him, answers honestly.

in human error, they actually briefly continue this conversation; chase's frustration at house not taking his advice leads to his outburst that leads to his firing. (not that house fired him for getting involved or nosy.)

and then no more mr nice guy comes around, and they go bowling. first of all: this is the only time in the series house has ever invited anyone who is not named wilson out without it being a bet or a bribe. he really needed a bowling partner and went chase. but the same thing happens.

CHASE: So what are you going to do to screw up Wilson's relationship so you don't have to listen to me while you bowl? HOUSE: I wish the best for them and their tragically deformed children. CHASE: Well, she's good… At being bad. You might not be able to destroy her. HOUSE: Well as long as I give it my best shot, I can hold my head high. CHASE: Cameron had this one insufferable friend. She wasn't going to get rid of her and I sure wasn't going to join them, so I just said, see her on Thursday's. I know it's not as exciting as an exploding birthday cake, but, hell, I don't want to hang out with her every night anyway. HOUSE: That's amazing. Cameron only has one insufferable friend?

(insufferable friend you will always be a legend) chase just! jumps in! gives advice! completely casually, like it's nothing, house not blowing him off or dismissing what he says. later in the episode, he takes this advice and tries to work out joint custody with amber.

it isn't that house never takes other people's advice. he quite commonly solicits opinions. cameron and foreman have also both offered house their takes, and he's sometimes even listened. but usually he's dismissive. he's sarcastic. he doesn't have a conversation about it, he listens and does what he wants. chase can just stroll in and say stuff and house engages.

and of course there's my favorite example of all, from the social contract, when house needs a surgery done:

CHASE: You want me to help you? Tell me why. HOUSE: Why what? CHASE: Why you care. The puzzle's solved. The guy's alive. And the odds of coming out of this surgery with that same status aren't that great. HOUSE: My patient has a quality of life issue. CHASE: He says awful things. Hardly a medical condition. HOUSE: When he leaves here, he's going to lose his family. He's gonna alienate the people he works with. And if he ever finds a friend who's willing to put up with his crap, he'll be lucky. Until he drives them away too. CHASE: …I'll see what I can do.

he gets the truth. house all but says i identify with this person, i want the surgery done for me. chase doesn't ask questions, he gets it. but also he asks house why, and he gets an answer. no bullshit, no evasion.

we've all joked about how chase gets house, but it's like. he really does. he's incredibly observant, he's good at reading people, it's why house hired him. but he also doesn't… push. he doesn't use this ability to push house. he's not constantly trying to poke and prod and fix and understand house (because he kind of already does), but in return it means chase can jump in and just say stuff. because he doesn't make demands, because he doesn't ask anything of house, the few times he does, house tends to respond honestly in return. it makes me. insane

[shadowmonsterrealms]

I don’t think anyone realizes how much I love Bruce Wayne.

This man loves Children, on such a deep level. He’s saved so many people’s lives, and he cares deeply about each of Gotham citizens. Specially kids. I believe it’s the fact that he can’t ever say no to those faces.

But also the fact he’s been in their shoes when he’s lost something important (mentioned in my last post). So he wants to protect that, so he takes care of them. That’s how he fell for (when I mean fell, not pun intended) Richard/dick. His parents were killed due to an “accident,” so he takes him in. Giving him something/someone that he never had (not really including Alfred, but don’t worry I’ll mention him a different post)

Hes also taken care of other children, including very murderous children. AKA psych child (I can’t remember her name), he thought he could convince her to shut down her plans. And he knew that she wouldn’t want to, dispite her almost being aware of her potentially dying. He wanted her to know and feel comfort her last moments, even if she requested it. It doesn’t negate the fact he was willing to do it by holding her hand, and sitting along side her on the swing set.

There was a comic artist(maybe he was a director I forget) but he’s stated that you’ve never made an official Batman without adding the detail that he loves children or is there for their characters. If you didn’t, you’ve just made a man who dresses up as a bat. Which he does have a SLIGHT issues, he itsn’t wrong. Majority of Bruce’s arks are surrounds with children, and he cares so much about them.

Batman will forever be my favorite DC Hero.

[possiblyreallyme]

Oooo headcannon’s…If possible can we get Ace with a reader who’s fire resistant due to a devil fruit?

Hello!!! I love love love receiving your asks! i'm so sorry this took so long, i finished writing it at the start of november but it got deleted when i went to post it😭

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He is a silly goose at heart, and if you're his friend, you'll need to be ready for a few pranks once he finds out about your fire-resistance. For example, setting you ablaze when meeting strangers because their reactions are priceless, or annoying you with little fire-punches that have flames licking at your cheeks when sat next to each other at dinner (his fist never actually came in contact with your skin— he's not that stupid), or anything else he can come up with.

Also, expect a lot of testing. Like, constantly bothering you and begging you to be a guinea pig for the new move he's been wanting to try, or seeing how hot he can make his flames by slowly trying to burn your palm, things like that. Of course he'd be careful if you were unsure of it, but he would trust you enough to be 100% confident that you'd be fine if you told him that there was no way he could burn you.

If he had a crush on you though, he's a little bit more careful. Yes, he knows that you won't get burned no matter what, but with the added complexity of having feelings for you, he doesn't really want to risk anything. That doesn't mean he won't show off though, because trust me, he loves to do that.

He'll create firework shows just for you, or come up with excuses to use his powers whenever he can— including warming you up by making himself a human bonfire.

Now, if you're his lover, the whole game changes.

If you were a badass, cool, tough kinda babe, he has little issue with creating small flames in the palm of his hand and letting you play around with them, but that's about where he draws the line before he gets too worried. If you were the sweet, kind, shy type however, I don't think he'd be able to bring his flames anywhere near your skin.

He'd be WAYYYYY too paranoid to set his sweetheart on fire— what if he burned you?? What if your devil fruit powers worked differently then you thought???? WHAT IF YOU HATED HIM AFTERWARDS????

"Ace, come on, stop being a party pooper!" You whine, wanting to test out your abilities. And what better way to do so then with your fire-fist boyfriend? "Babydoll, I'm not gonna set you on fire..." He murmured uneasily, as if the thought made his skin crawl. "Fun hater😒" "Love you too, angel-face!😚"

For afab readers, he most definitely works as your full-time heating pad when you're on your period.

It wasn't even your idea— he just asked Marco how to ease your cramps (tearfully, might I add, mans was terrified for you), and he just about jumped with joy when he found out that heat makes it better, skipping back to your cabin to fulfill his God-given duty, which was cradling you like a baby to his chest and heating your back and stomach.

NSFW HEADCANONS BELOW! READ AT YOUR OWN RISK!!

While on the topic of periods, hear me out: heated period sex.

My man loves him so good period sex, especially if you let him act as an internal heating pad by warming his cock. He'll keep his large hand on your stomach to feel the bulge of his cock and heat up his palm to ease your cramps, whispering sweet praises into your ears while he keeps himself to the hilt, letting you adjust to his large size while he himself tried not to cry out in bliss.

Mess? What mess? You think the Fire Fist Ace is afraid of some blood? Honey, we have towels for a reason, don't even worry about it.

100% into temperature play, but again, only uses real fire if you're the tougher type or you beg. Though you'll never forget that one time he teased your nipples with a flame on the tip of his tongue...

In summery: Ace is a complicated guy, so your personality and role definitely change his opinions a lot (sorry if the way i'm writing it is annoying tho).

[miraculouslbcnreactions]

How did you feel about the square flipping, specifically Marinette catching feelings for Chat? Because I didn‘t really buy it for a few reasons

1. Determination ends with Mari crying when she realizes her feelings as if she sees ir as a bad thing, and the next episode she is suddenly completely sold on the idea of dating him which is quite a switch-up imo

2. Chat blanc. That one is self explanatory (though you did say it in your most recent post how she‘s weirdly uneffected by it. I just don‘t understand why)

3. I just personally feel it comes slightly out of nowhere. Like I see what they were going for and I would‘ve bought it if it has immediately happened after the s4 finale. Why did they wait 6 episodes?

4. episode 10 leaves her heartbroken over him but as soon as she gives up her earrings she instantly forgets about him

5. I find it very weird that the show seemingly mockes her for it with every character telling her that she‘s faking it just to avoid her true love Adrien. Is the message here that she‘s actually faking it?

It‘s just… outside of elation which had very cute interactions between them, the show did them kinda dirty honestly

I see what they were going for and I would‘ve bought it if it has immediately happened after the s4 finale. Why did they wait 6 episodes?

That's where I fall. Same goes for pretty much everything you said. I really don't have much to add. You covered all the main reasons why this falls flat.

While I have never liked the idea of the crushes flipping mid-show (can you say "stalling tactic"?) they did give us a fantastic setup for it with the end of season four. Delaying the flip six episode killed that setup and made the flip feel forced and hard to buy, especially since it comes after the episode where Ladynoir gets married. I could buy Jubilation being the lead in to Adrien forcing himself to move on and then reverting, but instead they try to sell us on the idea that his crush on Ladybug actually died while Marinette was the one fooling herself by thinking she was in love with Chat Noir when she really still wanted Adrien. It's awkward, stilted writing that feels like pointless padding.

IF the original plan was to have the identities revealed during Kwami's Choice, then this bizarre ride would kind of work as it's a nice way to show that Marinette cares for Chat Noir beyond his Adrien-ness. But we don't get a reveal, so I have no idea how Marichat is supposed to come across here. Were Marinette's feelings real or was Chat Noir just a safe rebound she was using to avoid the Adrien issue? No clue. It's ugly, messy writing and I did not like it.

[maccreadysbaby]

Project: Killcode

batfamily + oc insert

tw: none

wanna read more? here’s the table of contents!

want to read the first fic in the hundred days series so you understand what’s going on here? here it is!

I am in pain writing my boys like this

part thirty-two

❝ EFFORT ❞

MONDAY — JULY 30 — 5:02AM

AFTER AN EVENTFUL DAY OF NEVER COMING OUT OF BELLAMY’S ROOM, BENTLEY WOKE UP ON MONDAY MORNING LAYING BACK TO BACK WITH HIM. 

And the first thing he thought about was Bruce.

He wanted to tell him. He wanted to tell him everything so bad — about the parties and the nightmares and the teachers and Tyler and Chloe and the (maybe?) Secret Keeper and his father. He wanted to just lay it all out at his feet so he didn’t have to deal with it alone anymore… but he couldn’t.

Because if he did, Bruce would come get them and take them home, and someone else would move into the dorm. He’d never see any of them again.

He had to show Bruce that he could do this no matter what kind of problems he had — he was thirteen, and he could deal with his issues by himself. He didn’t always need his dad or his brothers to swoop in and do it for him; he was capable. More than capable.

So for now, he decided, not a Wayne in the world would know a thing. Would it be easier on him if they did? Sure. But getting whisked home to live a life of solitude while every other teenager in the world did whatever they wanted didn’t sound like an ideal situation. Plus, he was pretty sure he’d have lost his mind if he didn’t stop homeschooling when he did.

It was okay. He was okay. Everyone was okay. Everything was okay.

He’d just focus on school — it was a good enough distraction. He did have seven classes to survive, and nine friendships to maintain.

(Or eight, if… Asten didn’t want to talk to him.)

So he decided that’s what he was gonna do. Just be a teenager, and try his best to forget about all the existential dread stuff.

He woke up, blocked the number his father had called him from, and left Bellamy’s room to go get ready. 

It was only a little after five, so he was able to get into his room and do everything he needed without waking Asten up, which was nice — because he wasn’t sure where they stood. They hadn't talked at all since the fight, but Bentley did end up in bed arrest in Bellamy's room, so he guessed it wasn't really either of their faults.

He grabbed his bag and all of his things out of his room and left, shutting the door softly behind him. Should he go back in Bellamy's room? Or just sit and the dining table and do something silent?

That moment was about when his phone vibrated in his hand.

The name on the text message was Chloe Singh. (He'd changed it almost immediately after she gave it to him.) It said: Hey, meet me at the fountain at 530?

He didn't even have time to think about replying before a second one came: Or at breakfast, if you're not a psycho that wakes up at 430 for school like me.

Bentley hummed to himself, typing a quick response.

Just text me when you're ready. I'm already dressed and all.

He hardly had time to look away before another message blipped onto the screen. Oh, okay! I'm ready then, haha.

With a faint little smile and a shrug, Bentley made sure he slid his keycard into his phone case and made for the door, leaving the dorm with his schoolbag in the dark.

When he made it down the stairs and the several sidewalks it took to get to the fountain with the willows, Chloe was already there in her uniform with her bag. Her blonde hair was tied up halfway with a black ribbon, and pin-straight so it looked extra long. She glanced back at him when she heard him approach and sent him a friendly wave, which he returned.

Were they technically friends now? How many times did you have to cry in front of someone before you became friends?

With that on his mind, Bentley made for the bench she was on, dropping his bag near his feet and taking a seat next to her.

"Good morning," She said quietly, eyes focused on campus staff that seemed to be moving something into the art building across the way, past the willow trees.

"Good morning," He replied.

"Listen, I just... wanted to apologize for Saturday night," She sighed, looking down at her lap and deflating slightly, a stark comparison to how confident she looked in class or the halls. "I had a massive breakdown and it was really weird. I word vomited so many unnecessary details."

Bentley shook his head, glancing over at her. "Don't apologize. We all have our moments. I, in particular, have had at least thirty since I moved into Redwood."

Chloe glanced at him, furrowing her brow. "I never imagined Bruce Wayne's heir would have moments."

"I wasn't always his," Bentley shrugged, forcing his father's voice out of his mind, focusing on Chloe's brown eyes that were watching him. "Anyways, it's no problem. Breakdowns suck, but they suck even worse if you're alone."

She blinked and looked away, then back. "That's why I wanted to say thank you," She continued, glancing down at her hands, fiddling with her fingers. "For being there for me. I... can honestly say I don't have anyone else, as pitiful and attention seeking as that sounds. Living a double life is really hard when everyone only knows the fake part."

Bentley watched her breathe in deep, then blow it out. "Anyways, not to get all pitiful. I think I have the rumors handled on my end... my roommates were the only ones who knew I was going to meet you, and they swore they wouldn't say anything. What about yours?"

"Only two know I was gone, and they won't say anything," Bentley shrugged. "I think we're safe."

A beat passed.

"Thank God," Chloe exhaled, brushing her long blonde hair over her shoulder. "I'd never forgive myself if a chimp like Tyler Abbott got ahold of information like that. He'd have the entire campus believing whatever he wanted about us in, like, ten seconds."

Bentley didn't reply.

"Hey, you okay?" She continued, lowering her volume just a little. "You seem preoccupied."

Bentley shook his head in an attempt to shake himself back into the present and out of whatever routine of self loathing his mind was trying to put him in. "Yeah, just pretty drained. I've been really stressed lately."

"I'm sorry..." Chloe mumbled, and Bentley shrugged.

"It's not your fault," He continued, waving her off. "What about you? Were you okay after the other night?"

Chloe shrugged. "Same... just kinda drained. Emotions and their stupid, stupid existence have a way of doing that. But I'm feeling okay now. Practice for cheer tryouts starts after school today, so I pretty much am required to be okay."

A beat passed.

"So... did you and Layla end up having fun at the dance?" She questioned, looking across the way at the willows, a little hint of something he couldn't quite place filtering through into her words.

Bentley shrugged. "It was okay, but I... didn't go with her. I went with my roommates. To see the band that was playing."

"Oh," Chloe nodded to herself.

Another few moments of quiet passed.

"I... wanted to ask you something," Chloe started, turning to face him slightly on the bench, getting this... he wasn't sure. Embarrassed sort of look on her face. "You can totally say no if you want to; I know I'm not the easiest person to stomach."

"What is it?" Bentley questioned, turning toward her a little, too.

Chloe breathed in and out. "I know I was really mean and weird and stuff when we met, and I don't have any clever excuses to talk myself out of that. But I still... wanna be friends with you, if you want."

Bentley watched her nervously tuck a piece of hair behind her left her, her brown eyes straying down to the bench they were on.

"Yeah... I'd like that," Bentley replied, watching her anxiously pick at her nails. "But you... I don't want it to be some kind of ploy for your mom. If we're gonna be friends, I just... want to be friends. Not for anybody else."

"A hundred percent," Chloe nodded. "She won't have a clue I'm even talking to you anymore. She seems to have moved on in her searching for my perfect future divorce since I blew it with you already. Which means we're in the clear."

Bentley hummed in acknowledgment, glancing at her for a moment more before looking out at the trees again. "Can I ask an awkward question?"

"Sure," Chloe shrugged. "Can't be more awkward than me word vomiting my entire life's story, and my mothers."

Bentley found it in himself to chuckle at that. "I was just... wondering. Since you were only kinda acting, did you... mean what you told me? In class?"

Chloe glanced over at him quickly, her brow furrowed, before she seemed to realize what he meant. Her face flushed pink and she looked the other way. "That you're hot? I-I mean, yeah, I guess..."

Bentley didn't say anything.

"God, why can't I talk to you?" She mumbled, resting her elbows on her knees and dropping her head into her hands with a nervous little laugh. "It's so weird. Being, like, real. I always know what to say when I'm pretending."

Bentley shrugged. "Maybe you should... not pretend."

"I can't do that!" She said suddenly, sitting up. "My mother would disown me if I even thought about acting contrary to how she wants."

Bentley hummed. "How does she know what you act like here at school?"

Chloe looked up at him, a cringe spreading across her face. "She's the assistant Dean. She lives on campus."

Bentley blinked. "Oh..."

"Yeah..." Chloe shook her head. "I literally can't get away from her and her prying eyes through the school-day. That's why I wanted to talk to you now, before the day starts."

Bentley couldn't even imagine his father watching him like a hawk like that. When he first went to the Wayne's to, quote-on-quote, destroy them, he could hardly fathom the anxiety caused by the fact that his father may have possibly been watching. But Chloe's mom, putting her up to something out of greed, punishing her when she failed, watching her to make sure she was perfect... maybe they weren't so different after all.

Bentley didn’t say anything for a few minutes.

“So, are you liking it so far, here? I’ve heard Gotham is way different from New York,” She questioned. (How many times was he going to be asked that question?)

He shrugged. “New York is really cool. I like it here. It feels more… alive.”

Chloe nodded, a faint smile tugging at the corners of her mouth. “There’s so much that goes on, it's hard to get away from it all. That's why I like it so much here.”

Another beat passed.

“So, if it's not off limits, what are your powers?” Bentley questioned, glancing over at her. “I haven’t seen or heard anything about them.”

“Oh, I…” Chloe started, looking off at the trees ahead of them. “I… uh…”

Bentley could recognize discomfort when he saw it. “You don’t have to tell me.”

“No, I just…” She trailed off, breathing deep and holding it for a second, then exhaling. “I don’t have any.”

Bentley furrowed his brow. Wasn’t Redwood only for metahumans?

“My sisters do, and I have the genes for it, I just… they… haven’t appeared yet. My mom says that sometimes it takes a lot to make them show up,” Chloe shrugged. 

Bentley vaguely remembered hearing something about that when he was dealing with the whole Dr. Keene disaster -- it was like how Nico’s super speed only started to show up after he learned he was adopted, and only really showed up after he got kidnapped and put in a big machine that messed with his DNA. He remembered that metahumans finding their powers was… usually due to trauma.

He wasn’t quite sure what that said about the rest of the Redwood students. But maybe it was a good thing that Chloe didn’t have hers.

“I guess we’ll just have to see, then,” Bentley shrugged.

“I guess so…”

They fell into a comfortable silence, looking out at the willow trees in front of them.

Okay.. maybe Bentley had ten friendships to maintain.

--

When breakfast came around, Bentley sat across the table from Asten.

They didn’t say anything to each other. Bentley looked over at him a few times, but he was always talking to Rockie, or looking down at the table, or across the room. Valor was watching the both of them -- Bentley noticed his gaze a few times, calculating, contemplating -- but when Bentley’s eyes met his, it always switched to a supportive smile, faint enough to go missed by everyone else but present enough to be a little comforting.

Bentley and Asten didn’t talk at lunch, either.

And when music theory came around, Asten only spoke to Rockie, and Bentley only spoke to Vera, and in free period, Asten sat with Rockie, and Bellamy and Valor sat with Bentley. It was…

Weird.

He went to practice soccer with Varian and Koa, and they talked about nothing and everything. He went to dinner, where Asten deliberately ignored him even though they were within whispering distance from one another. And then he did his homework at the dining table, and listened to his roommates talk, and hung out, and texted Chloe, and went to bed without saying anything to his best friend who was sleeping one bunk away.

As wrong as it felt, Bentley was the one who’d been right. Asten was a hypocrite and all the lovely things Bentley had said in his anger fueled haze. So, for this one time, for the first time in his life, he wasn’t going to allow himself to apologize.

If Asten wanted to talk to him, Asten was going to have to put in the effort.

And as far as Bentley could tell, right now, he didn’t care very much.

--

tag list that never works lmao

@fleur-alise @sarcopterygiian @gayboss-too-close-to-the-sun

@xiaonothere

@skylathescholarly @flyrobinflyy

[manogirl]

I have been extremely wary of wading into this kerfluffle, because I'm not sure what good it does to speak to it; I know what I like, and I like what I like, and I'm old enough now to just give ZERO fucks what anyone thinks about that.

But I think something is happening regarding the criticism of some of these shows that makes me uncomfortable, and it's that it's often coming from outside the culture that's making the show. I'm not talking about criticisms that deal with production or even writing, I'm not talking about direction or editing, I'm not talking about problems with characterization. Critique away!

No, I'm talking about harder to define things, like critiquing how a show deals with social issues or cultural issues or religious themes. I'm not saying the shows are necessarily doing a good job on these things, but what I'm saying is that if you're not a part of the culture making the show, it's pretty hard to know if it's doing a good job, because the shows aren't for you. People are holding shows to standards that exist for them, in their own culture, and it's really fucking troubling.

I have the same problem with the critique of fanservice and CPs. Whether you like the system or not, whether you like fanservice or CPs or not, they're NOT MADE FOR YOU. I'll never forget reading a post here about how Westerners are GUESTS in BL culture; it's seared into my brain. You may have seen it. It was really good. If I find it again I'll repost it.

Y'all may be right about some of the critiques about how class or colorism or sexism is woven into these stories. But I don't know! Because I'm not a part of that culture. And a lot of you aren't either.

I just think that if someone from the made-up country of Ponparnum came to the US and suddenly was like, hey you're doing feminism wrong in your romance novels, I might be like....UHHHHHH welp, thanks, have a nice day, don't read them. Are some romance novels doing feminism wrong? Yeah no doubt they are. But the critique is more powerful coming from INSIDE THE HOUSE. From the people who live there.

I'm just gonna be really honest (and I know someone is going to tell me how wrong I am for this entire post and peace out that's fine, have at, no fucks left) and say that as a guest in this space, I rejoice in the pure amount of joy it gives me, and when a show doesn't bring me joy, I'm out. These are, as the poster above so capably pointed out, romances. The foundational trope of romance novels is a happy-ever-after and that's also why I don't watch BL that doesn't have one. I'm here for the romance.

If you're not, no shade! But don't pick up a romance novel and then scream about how it wasn't a science fiction novel. A romance is a romance, no matter its secondary genre.

And remember, you're a guest here, just like I am. We're so lucky to even have an invitation to the party.

Don't you think this all comes down to the fact that people watch fiction, romance or anything else, for different reasons and so, they also engage with it in different ways? Criticism is just a way to engage with something. Just like giffing, fanart or writing any kind of meta, positive or negative. People will engage with media in their own way. If they didn't like the genre as a whole, they wouldn't watch it at all, much less take the time to write a post about it.

I think you’re underestimating how many people on the internet get joy out of ruining other people’s fun. If they say they’re doing it out of love for the genre, I’m certainly not going to argue with them—even if that relationship does seem a bit abusive to me. People can interact with media in any way they wish to do so. It only becomes my problem when these blatant lies and delusions start popping up in the main tag, presented in a pseudo-intellectual format that makes them seem like facts instead of opinions. Since these people have chosen to expose the whole fandom to misinformation by putting it in the main tag, I’m going to start saying something about it because I think people deserve to see a counter-argument written in good faith by someone actually enjoying the show, the genre, and the production company making it.

This ridiculous argument about how CPs are ruining the genre has persisted for over a year now and I’m tired of just sitting back and letting misinformation go unchecked. There are plenty of meta writers on here that present their criticisms in such a way that even if I disagree, it’s not offensive. There’s just a certain segment of this fandom that not only criticizes the show, but comes up with conspiracy theories to support their dislike instead of simply saying that it’s not to their taste—and then continues to do so every week for 12 weeks. It’s absolutely exhausting having to spend time blocking people being rude in the tag instead of just enjoying what I came there to enjoy.

And I also think these people should take some time to examine their own biases and ask themselves why it’s only Thai shows they’re criticizing? Why it’s only romances? Why it’s only certain actors or certain production companies? Because it is.

[wormteeth2004]

bc I'm finally on meds for (almost) everything wrong with me i always forget i have problems until they get REALLY bad. like. oh hello overwhelming anxiety. long time no see. ahh asthma.. i only see you around when I'm sick. thanks for visiting me during a nice sunny day Big Fat Migrane.

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[welcometogrouchland]

(ID in alt) hi sorry for back to back marvel fanart I swear I still have dc stuff lmao. However I did recently read X-Men: first class and got a bit carried away doodling this after Lmao

[xxplastic-cubexx]

it doesnt need to be said but its genuinely so funny how at-the-hip charles and erik are in krakoa like they really had the green light- the OBLIGATION- to be as obnoxiously close to each other as possible and abused that right to the fullest extent

[sysig]

Wuh oh (Patreon)

Bonus:

The novel experience of being crushed by a giant rock, a visual metaphor

[uncanny-tranny]

It's weird how people paint "daddy issues" and even "mommy issues" as, like, a joke or a failure on part of the person who has those issues, rather than recognizing that daddy and mommy issues stem, for so many people, from abuse. What this all is is just abuse apologia, and nobody seems to either notice or maybe even care.

When somebody with daddy or mommy issues opens up about the "why," I can't ever seem to shake the fact that they tend to have gone through a ton of abuse and bullshit as a child. It's just crazy that other people would look at that and see a joke or a failure of the once-child who was abused.

[spotaus]

Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡

So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.

At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.

Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.

I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.

So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.

If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.

[nobodybetterlookatme]

How do you ask someone out with plausible deniability lmao like do you just ask them to dinner or something or is that too obvious ahskamskls

[dangerous-advantage]

(Image description below 'read more' line.)

[Image ID: A four-by-four alignment chart on a white background with text descriptions to the left and to the top of the squares.

The top left description reads, "seems like they'd be good at parenting." The top right description reads, "seems like they'd be bad at parenting."

Then, from the top down, to the left of the squares, the other set of descriptions reads: "excellent child rearing instincts," and "never trust them with a child in your life."

Each of the four squares contains an image of a different character. At the top left is an image of Lan Wangji of the Mo Dao Zu Shi donghua. He sits between the descriptors "seems like they'd be good at parenting," and "excellent child rearing instincts."

In the top right square sits an image of Wei Wuxian, also of the Mo Dao Zu Shi donghua. He sits between the junction of "seems like they'd be bad at parenting" and "excellent child rearing instincts."

In the bottom left square is an image of Xie Lian from the Tian Guan Ci Fu manhua. He occupies the square with the captions, "seems like they'd be good at parenting" and "never trust them with a child in your life."

Finally, in the bottom left square, sits an image of Hua Cheng from the Tian Guan Ci Fu manhua. He occupies the junction between "seems like they'd be bad at parenting" and "never trust them with a child in your life". /End ID]